![]() ![]() Set in 1930s Shanghai, the film stars Tony Yang as Gu Weibang, a young man who has returned from studying filmmaking in France to make a horror film in his native country. What I know is that the latest of these, Phantom of the Theatre, only extends the losing streak as it expands to North Texas this week. ![]() I’m not sure whether censorship is the reason for this or whether there’s some other factor at work. Yet they aren’t truly scary the way that films from Japan or even Thailand and the Philippines have been. Chinese movies are full of ghosts and witches and magical beings. By now I’ve seen horror films worth taking seriously from many different corners of eastern Asia, but mainland China is a notable exception.
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